The inter-war years were difficult ones at home, where money was tight and the family shop felt the impact of the widespread unemployment in the mining village of Abercynon, so while his elder brothers went out to work he helped finance his university career by athletics coaching and running professionally at the Welsh Powderhall meetings in Pontypridd and other race venues in the valleys. He took a teaching certificate in 1931 but there were no posts available where he could use it. In 1934 he eventually found employment as a physical education teacher at Sawston Village College in Cambridgeshire where he met Ellen Florence Knappett (born 11 July 1907 in Clapton , London), a Quaker and fellow teacher whom he married in 1938 and who saw that their four children (three girls and a boy) were educated at Quaker schools.
He had aspirations to become a writer, and as the published author, from 1937, of poems and especially short stories, mostly with a Welsh mining background, he contributed to the renaissance of Welsh writing in English that grew apace in that decade. He also won first prize at the Denbigh National Eisteddfod in 1939 for a radio play, in English, about a mining disaster. His wartime experience as an RAF radio technician was an unhappy one (blue was ‘a colour I was never partial to’) and the onset of a hearing impairment made his brief post-war return to teaching increasingly difficult. The Voices of the Children received an indifferent reception, and living with his wife's family in the Home Counties he became seriously depressed. But his life took a decisive turn when in 1948 his wife Ellen took up the post of schoolmistress in the remote East Anglian village of Blaxhall. While she ran the school he brought up their family and devoted himself to writing. Hitherto this had been influenced by his Welsh background but in walking his young children around the village he discovered a new theme as he realised that his elderly neighbours, Suffolk farm workers, with their unconsciously often Shakespearean vocabulary, were ‘flesh and blood archives’ containing a wealth of oral information about rapidly vanishing rural customs and work habits whose origins, he came to believe, stretched back to medieval times, in some cases much further. He developed the notion that this ‘prior culture’, which, he thought had in certain respects existed in England since pre-Roman times, was in danger of obliteration by the arrival of heavy machinery in the fields. The knowledge embedded in this prior culture would die along with the pre-1914 generation who still carried it, and by virtue of his sensitively recorded and faithfully transcribed interviews he became a pioneer oral historian before either the term or the activity became fashionable.
This became his life's work, resulting in a sheaf of books that began with the classic Ask the Fellows who Cut the Hay (1956), followed by The Horse in the Furrow (1960) - his interest in horse lore is a constant feature of his work and was first aroused by his study of the Mari Lwyd, which was very much alive in the districts his parents came from - The Pattern under the Plough (1966) Where Beards Wag All (1970), The Days that We have Seen (1975) and Horse Power and Magic (1979). While these established him as the foremost interpreter of England's ‘gwerin’, in From Mouths of Men (1976) he returned to south Wales to record the experiences of the anthracite drift miners of the Dulais valley in west Glamorgan. Though he often pondered a permanent return to Wales he remained in East Anglia, living successively in Blaxhall (1948-56), Needham Market (1956-62), Helmingham, near Ipswich (1962-8) and finally the village of Brooke on the border of Norfolk and Suffolk. A frequent broadcaster and lecturer, he received honorary doctorates from the universities of Essex (D.U., 1982) and Keele (D.Litt., 1983) though not from any Welsh institution. Nevertheless, he never lost his keen sense of Welsh nationality nor his Welsh accent. He strove to improve his written Welsh in the course of his enduring friendship with like-minded scholars like Iorwerth Peate and Ffransis Payne , and his writings contain frequent reference to Welsh literature; his epigraph to Where Beards Wag All is Iolo Goch 's fourteenth century cywydd ‘Y Llafurwr’ in the original, with Evans ' own translation alongside it as ‘The Farmworker’.
He had first realised that people's memories constituted valuable historical evidence when talking in the 1930s to elderly and unemployed miners on the hills above Abercynon, and he always carried with him an assumption of equality in conversation with ordinary people. A communist sympathiser from that time - he was Cambridge CP branch secretary in the late thirties - he was an unlikely figure to engage the sympathy of the reserved and apolitical peasantry of East Anglia, but his gentle manner and unobtrusive questioning won their confidence as few have managed, though his writing on rural England was never sentimental or romantic. He wrote stories and poetry into the 1950s, edited a volume of Welsh Short Stories in 1959, and published two volumes of his own stories in Acky (1974), set in East Anglia, and Let Dogs Delight (1975), whose background is the Welsh valleys which played such a formative role in making him the kind of remarkable social historian he was.
He died on 11 January 1988 at Brooke , and was cremated in Norwich ; his ashes were scattered on the hills above Abercynon . His wife died at Brooke 19 Sept. 1999. His son Matthew (Lord Evans of Temple Guiting , b. 1941), became managing director then chairman of George Ewart Evans ' publishers Faber and Faber, and his son-in-law, the water colourist and illustrator David Gentleman (b.1930), edited and illustrated an anthology of Evans ' writings on oral history, The Crooked Scythe, in 1993.
Professor Gareth W. Williams, Aberystwyth
Published date: 2008