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Years before his death D.J. had become a legend among lovers of Welsh literature and among nationalists . He was one of the founders of Plaid Cymru in 1925 , and with John Saunders Lewis and the Rev. Lewis Valentine he spent nine months in Wormwood Scrubs gaol during 1936-37 for setting fire to some of the huts of the Bombing School at Penyberth , near Pwllheli . That symbolic protest takes a central place in the mythos of the nationalist movement. He endeavoured all his life to campaign for a Free Christian Wales . He wrote hundreds of letters to the press and brought two of his heroes, the Irishman , ‘ A.E. ’ ( George William Russell ) and the Italian , Mazzini , to the notice of his fellow- Welshmen through his books: A.E. a Chymru ( 1929 ); Y Bod Cenhedlig , a translation with introduction of The National Being by A.E. ( 1963 ); and Mazzini: cenedlaetholwr, gweledydd, gwleidydd ( 1954 ). He also put on record some of the early history of Plaid Cymru in a pamphlet, Codi'r Faner ( 1968 ). Through all of these publications one feels the passionate single-mindedness that made him such a convincing advocate.
The same passion gives his creative literature its distinctiveness. With Kate Roberts he brought distinction to the Welsh short story and most of his published stories were collected together in Detholiad o Storïau'r Tir ( 1966 ). Some of his earliest stories, with a number of portraits and essays which are an index to his most important themes, are in Y Gaseg Ddu ( 1970 ). He sought to shame some of the most prominent writers of Wales who wanted no part in the battle to ‘save the soul’ of the nation, those who could ‘ stand aside limply without making any move to assist in the battle in any way — as though some moral paralysis has struck them ’. How deficient they were, in contrast to the ancient prophets of Israel , unrepentant propagandists who gave being to a great literature. Wales needed ‘ writers under the passion of conscience ’ and it was as a propagandist and Christian nationalist that D.J. took to writing.
Basically he was a pastoral writer , the recorder of visual memories. He was in his middle age and early old-age when he produced the works which will be of lasting value. Like his hero, William Llewelyn Williams , he held a deep love for the rural life of Carmarthenshire , but he did not rest content with sentimentality. He saw the Wales that he found worth living and dying for mirrored in his native ‘square mile’. Certainly he idealised it, but it is equally true that he showed the civilised, multi-talented, hardworking society which he had idealised in Hen Wynebau ( 1934 ) and Storïau'r Tir Glas ( 1936 ) gradually disintegrating in Storïau'r Tir Coch ( 1941 ) and Storiau'r Tir Du ( 1949 ) as ‘ the wretched new world ’ closed in on it. The same vision gave rise to his two autobiographical volumes, Hen dy ffarm ( 1953 ) and Yn chwech ar hugain oed ( 1959 ). Hen dy ffarm [transl. Waldo Williams , The old farmhouse ( 1961 )] is his masterpiece, the story of cultivating the land of Pen-rhiw , creating a garden and orchard and then leaving because the hard work of winning the land brought ill-health and tensions within the family, preventing its continuation. Like every classical pastoral paradise, D.J. 's paradise, too, was destroyed, from within as well as from outside.
No man-made paradise can last, but man always needs a paradise to cherish. It is a fundamental need that is as old as existence, and his reaction to it makes D.J. Williams , at his best, one of the finest of Welsh storytellers . His achievement was acknowledged in 1957 when the University of Wales conferred on him an hon. D.Litt. degree. In 1963 he was elected President of the Welsh Academy .
Professor Hywel Teifi Edwards, Llangennech
Published date: 2001